Archive for the ‘THEATRE REVIEW’ Category

When you can’t go to the theatre…   Leave a comment

BroadwayHD is the answer! 
TV Film reviews Week of July 6 2020

1) “Miss Saigon”–2 hours and 21 minutes–film–was supposed to be our next touring company in Miami and then the virus hit–the first time I saw it when it came to Fort Lauderdale (thanks Chuck) and fell in love with it–okay, I am a crier but I can’t recall crying so much watching any other show. This was filmed while being performed on stage in London celebrating its 25th anniversary.  EXCELLENT!
2) “Billy Elliot”–2 hours and 50 minutes–film–this was also filmed in a theatre at a live performance. When it comes to dancing in shows I still remember how thrilled I was seeing “West Side Story” at the Winter Garden when it opened on Broadway and to me it was amazing. It wasn’t until “The Newsies” came along did I feel I hadn’t breathed during all the dance numbers. The most singular dance turn I have ever seen on stage was Donna McKechnie as Cassie’s 8-minute solo “The Music and the Mirror” in “A Chorus Line”.  Almost equal to that is Jamie Bell’s solo “Electricity” describing how it feels to dance in the second act of “Billy Elliot”–check it out on youtube.  EXCELLENT!
3) “The Last 5 Years”–1 hour and 34 minutes–film–strong leads—good score–tired story–we meet the couple after they have broken up and it goes back in time.
4) “Gypsy”–2 hours and 33 minutes–Bette Midler delivers in this made for TV version in 1933–this is the 5th person I have seen in the lead and all excelled and Midler doesn’t disappoint. “Gypsy” is always referred to as one of the best Broadway musicals.
5) “Mucho, Mucho, Amor”–documentary–1 hour and 36 minutes–Netflix–a very famous pioneer of television who was a flamboyant Puerto Rico-born astrologer who made Liberace look ‘butch’!! I had never heard of him and there were a lot of interesting aspects to the man but he should have stopped while he was ahead. Worth seeing for many reasons including seeing Lin Miranda-Manual awe when meeting him.
6) “Eric Andre: Legalize Everything”–one-man standup (‘comedy’?) show–51 minutes–Netflix–Loud? Yes! “F” word and much cursing? Definitely! Dirty? Check! Screams? Check! Shows bare chest multiple times? Yes! Why? Don’t know. Have audience member’s parents come up on stage and start having sex–why? Who knows! Gets completely nude at the end and, again, I don’t know why. Complete waste of time!

“Escape To Margaritaville”–Broadway Touring Review   Leave a comment


With music and lyrics, including old and new songs, by Jimmy Buffett, “Escape To Margaritaville” definitely is a must for his fans. For those of us not familiar with his music, yes, I admit it, like me, the show is fun, an escape from what is going on in the world outside of the theatre. While the book by Greg Garcia & Mike O’Malley does try to get a bit serious just wait for the next song and/or corny joke or scenes with Shelly Lyn Walsh as Tammy and Peter Michael Jordon as Brick with, or without, each other. Their joy on stage comes across the footlights straight to the audience.
The leads, Chris Clark as Tully and Sarah Hinrichsen as Rachel handle their water and oil mix pleasantly and both have good voices while Patrick Cogan as J.D. the old man and Rachel Lyn Fobbs as the hotel owner offer a sweet and funny sort of romance.
There were a few show stopping moments such as Clark and Jordon singing an insightful “He Went To Paris” or Jordon doing a cliched version of the Rockettes tap dancing that will have you clapping and smiling as you shake your head at something you have seen in more shows than you can count. Matthew James Sherrod, as Jamal, has the strongest voice and shows it off in the opening of the second act with “Volcano”.
By the way, talking about show stopping moments, I don’t know if it will happen at the end of every performance but Jimmy Buffett came out and, with the cast and the audience helping, finished the show singing “Margaritaville” as beach balls were thrown out into the auditorium.
“Escape To Margaritaville” made me want to see Jimmy Buffett in concert. Am I on my way to becoming a *Parrothead?
“Escape To Margaritaville” runs 2 hours and 20 minutes including a 20 minute intermission.
*A Parrothead is a fan of Jimmy Buffett (there is no other meaning). The typical parrothead is pictured to wear. a Hawaiian shirt, flip-flops, and other tropical attire, and to enjoy drinking margaritas on the beach. Parrotheads often decorate their homes in tropical motifs.


Posted November 20, 2019 by greatmartin in MUSICAL THEATRE, THEATRE REVIEW

“Fiddler on the Roof”–touring company review   Leave a comment

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“Fiddler on the Roof” has always been a rich musical in the story it tells and how it tells it. A couple of months ago I saw a documentary “Fiddler: Miracle of Miracles” and it made the production I saw tonight have even deeper meanings. With all its humor and excellent score, choreography and cast it tackles many subjects that are still affecting the world today such as uprooting families from their homeland.
The score with music by Jerry Bock and lyrics by Sheldon Harnick blend in with the book by Joseph Stein all based on the original stories Sholem Aleichem making a moving tale of “Tevye and His Daughters” and their life in the shtetl, a small village, in Russia in the late 19th century.
Family, life and traditions, as the opening song explains, are quickly changing, affecting the people in the village. We follow Tevye’s family as his 5 daughters break away from a life their father is, at times, scared of, but doesn’t allow his wife and kids to see his questioning of what is happening.
The show opens with “Traditions” introducing the star of the show, Yehezkel Lazarov, as Tevye, explaining the role of everyone in the village from the father and mother to the daughters, rabbi, matchmaker even the beggar who has a role to play as a member of the village. From that point on Lazarov is in command of the stage, his presence felt even the few moments he is off stage. He is funny talking to God in “If I Were A Rich Man” and just as tender singing to his wife, Golde, “Do You Love Me?”
Maite Uzal, as Golde, is a match for Lazarov whether singing with him or standing up to him in her sly and practical way.  Three of the 5 daughters, played by Kelly Gabrielle Murphy, Ruthy Froch and Noa Luz Barenblat, singing “Matchmaker, Matchmaker” show us the independent women of tomorrow while their parents singing “Sunrise, Sunset” show their love for their children.
Nick Siccone, as Motel the tailor who wants happiness with one of the daughters makes the joyful “Miracle of Miracles” flood the audience with that joy while Nic Casaula as a suitor for another daughter makes you believe that “Now I Have Everything” as he plans to take her away to start a new life.
Jonathan Von Mering as Lazar Wolf, the butcher,  Carol Beaugard as Yente, the matchmaker, are just a couple of the supporting cast, along with the ensemble, that contributes to a first rate company of a first rate production.
The choreography by Hofesh Shechter, based on the original by Jerome Robbins, as is the direction by Bartlett Sher, along with an 11 piece orchestra conducted by  Michael Gildein, aids every singer, dancer and actor to do their best and they all do.
“Fiddler on the Roof” is one of the best touring productions this season and no matter how many times you have seen it and, especially if you have never seen it, is a must see for all.
Running time is 2 hour and 50 minutes including a 15 minute introduction

“Les MIserables”–review of Broadway touring company   1 comment

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In 1862 Victor Hugo’s epic novel “Les Miserables” was published and though I never read it I did see a movie version in 1952 so the first time I saw the  musical stage version in 2000 I was familiar with the story. I didn’t expect to be so emotionally involved but here it is 19 years later and it still moves me. 

In addition to seeing the stage version I also saw the 2012 movie based on the musical a few times and can’t recall how many times I have listened to the 25th anniversary concert album and still the songs like “On My Own”, “Who Am I”, “I Dreamed A Dream”, “Bring Him Home”  and “Soliloquy”, among others, seem as fresh as the first time I heard them and still can bring tears to the eyes. 

Production values are very important to a story but in a show that is sung through such as “Les Miserables” the voices are more important than the costumes, lighting and/or set designs and this  show has all that but, more important, it has a cast that gives it their best and they are excellent. 

Briefly the story is about Jean Valjean, whom we meet just as he is being released from prison after serving 19 years for stealing a loaf of bread and trying to escape, who now starts a journey to redeem himself while being hounded by Inspector Javert  who he is paroled to but eventually eludes. 

Valjean makes the lives better of those he meets along the way and we become involved in all their stories just as we become involved  with the upcoming French Revolution and the young people caught up in it. 

Nick Cartell  as Jean Valjean gets sustained applause for his moving “Bring Him Home” and “Who Am I?” while Josh Davis     as Inspector Javert takes charge of the stage in both “Stars” and “Soliloquy”.  Matt Shinghledecker as Enjolras leads the company in the rousing first act curtain “One Day More” just as Marius, played by Joshua Grosso, gets across the sadness of “Empty Chairs, Empty Tables”. Paige Smallwood as Eponine stops the show singing the haunting “On My Own” and Mary Kate Moore   as Fantine makes “I Dreamed A Dream” sounds as fresh as if it was being sung for the first time by anyone. The ensemble makes the songs “Do You Hear The People Sing”, “The People’s Song” and the finale of “One Day More” the anthems of a revolution as strong and meaningful as they should be. 

The music by Claude Schonberg with a French language libretto by Alain Boublil translated into English with the lyrics of Herbert Kretzmer is moving, funny, soaring when it has to and becomes quiet sometimes at moments when you least expect it but the music at all times serves the story of “Les Miserables” as does the cast and the production. 

The cast numbering more than 30, including 5 children, earned the well-deserved ovation the audience gives them when they take their curtain calls. 

“Les Miserables” is  playing at the Broward Center for the Performing Arts until October 20 and whether you are seeing for the first time or the fifth time I suggest you get tickets now for this production! 

Act 1  1 hour and 30 minutes   20 minute intermission   Act 2 1 hour and 5 minutes  Total  2 hours and 55 minutes   Gun shots, strobe lights, smoke


“The Lion King”—touring company review   Leave a comment

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In 1997 “Disney’s The Lion King” opened on Broadway instantly making every adult a  kid with its opening number and just as it did then, and still does, the show did the same thing last night at the Adrienne Arsht Center for the Performing Arts in Miami. Twenty-two years later, the highest grossing Broadway production of all time, as the animals from an African Savannah march down the aisles to Pride Rock on the stage to see the new lion cub, Simba, and the first song, Elton John and Tim Rice’s “Circle of Life”, transports you to a magical world.
With a book by Roger Allers and Irene Mecchi and additional songs by Lebo M., Mark Mark Mancina, Jay Rifkin and Hans Zimmer the production belongs to Julie Taymor who directed, did the costumes, masks and puppet designs along with Michael Curry and Richard Hudson who did the scenic designs. The choreographer Garth Fagan, watched over by his associate Marey Griffith, while John Stefaniuk continues as Taymor’s associate director. For those who may be unaware of what lighting can do to bring magic to the stage the design by Donald Holder shows in scenes that draws gasps from the adults and squeals of joy from the children.
All the dazzling production aspects of the show make it a spectacle but wouldn’t mean a thing without the 11 musicians led by conductor James Dodgson or the over 50 cast members who tell and/or sing the life story of Simba the cub. Whether as individuals or in ensemble numbers it would be unfair to say anyone was a standout as they all were.
Take a kid and both enjoy the magic of theatre.
1st act is 1 hour and 8 minutes  An intermission runs 20 minutes and the last act is 55 minutes.

Lion King cast May 9 2019

“Anastasia”–touring company review   1 comment

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One of the joys of theatre-going is the occasional surprise that makes you hold your breath and feel as if you are the only one experiencing what is happening on stage and tonight, at the opening of “Anastasia” at the Broward Center for the Performing Arts, it happened when Beth Stafford Laird, as the title character, sang “In My Dreams”. I don’t know if the other over 2,000 people in the audience even knew that she was an understudy for the lead who couldn’t go on tonight but it didn’t make a difference because we all fell in love with her. Playing Anya, who may or may not be the only surviving member of her Russian Imperial Romanov family consisting of her father, mother, 3 sisters and a brother all who were killed by the Bolsheviks when she was 17 in 1917.
We follow her life when she is found in 1927 as a woman who has no recollection of her previous life and is making a living sweeping the streets in St. Petersburgh. There have been many rumors that the youngest daughter had survived and many were impersonating her in order to cash in on the riches her grandmother the Dowager Empress, now living in Paris, has.
Two con men audition many girls to be Anastasia, finally deciding that Anya has ‘something’ that will work and they go about teaching her, yet there is something in Anya that makes her believe she really is the granddaughter of the Empress.
Based on two movies, one an animated film, it is an easy enough story to follow and has many stereotyped characters but Beth Stafford Laird makes you believe in her so the story works. It certainly helps that she has a voice that reaches up to the rafters but you also see her gain strength as she believes in herself more and more.
Tari Kelly and Edward Staudenmayer take stock musical characters and bring them the freshness and fun they require while Stephen Brower as one of the con men, and a love interest for Anya, has a strong voice and an earnestness the role requires. Jason Michael Evans has a very underwritten role that leaves you wondering whether he is an alternative love for Anya or villain out to get her.  His singing of 2 solos, plus duets and ensemble pieces, soars over the auditorium. Joy Franz as the Dowager Empress shows the steel and softness the woman is called upon to show to whomever she is facing.
The book by Terrence McNally, the music by Stephen Flaherty and the lyrics by Lynn Ahrens do their job but words must be said about the projection designs by Aaron Rhyne that have set a high standard for part of theatre productions today.  The musicians under the direction of Lawrence Goldberg give the singers a chance to be heard by not overwhelming them but underscoring them.
I walked away from this production hoping that Beth Stafford Laird will be returning to Fort Lauderdale soon in another show!
“Anastasia” will be playing at the Broward Center until May 5. The show runs 2 hours and 35 minutes with a 20-minute intermission.
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“School of Rock”–touring company review   Leave a comment

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The “School of Rock” is the tale of a loser who bluffs himself into an upscale school as a substitute teacher and turns the kids into rock stars.
Before the show starts we hear the recorded voice of Andrew Lloyd Weber, who wrote the new music with Glenn Slater writing the lyrics, assures us on tape that the kids are really playing their instruments and do they play them. Mystic Inscho owns the electric guitar while Cameron Trueblood seems to have learned from the masters how to beat the drums. Julian Brescia works magic on the keyboards, Leanne Parks plays a bass almost as big as she is and each time stops the show with her solos. Arianna Pereira and Alyssa Emily Marvin as back up singers are soon joined by Camille De La Cruz who is a shy girl until she belts out an “Amazing Grace” and then she owns the stage.
They are joined by other students such as Sami Bray who becomes the band’s manager because she knows she is the smartest kid in class while Sammy Dell, the gay kid, is the costume designer, Jacob Moran is made the security guard and Gabriella Uhl becomes a roadie because all the kids in the class have to become a part of the band.
I don’t know how old the kids are in real life but on stage they are in the 4th grade which would make them be 9-10 years old and I suspect a few may be in their early teens but it makes no difference as they definitely know what they are doing!
How do adults compete with such talented kids? As best as they can and Merritt David Janes, as the fake teacher, does everything possible from jumping up on tables, rolling all over, singing, playing guitar and he stays just a step ahead of the kids. The other adults really don’t have that much to do with the exception of Lexie Dorsett Sharp, the principal of the school, who finds her youth again in a plaintive ballad “Where Did The Rock Go?”
Aside from the aforementioned ballad the kids sing a beautiful song “If Only You Would Listen” which not only delves into who the kids are but what all kids want to say to their parents. The three rock songs, two by Webber and Slater “Stick It To The Man” and “You’re In The Band” plus the “School Of Rock” by Mike White and Sammy James Jr., from the film of the same name which the show is based on, exemplifies the music the show is about.
The sets, costumes, lighting and direction are all first rate with the choreography basically the kids and Janes jumping up and down but that’s what rock is all about, including the audience swaying back and forth and clapping along with a couple of the songs. The only thing missing was people lighting lighters or turning on their phone flashlights!
Show is 2 hours and 40 minutes including a 21 minute intermission and a rocking encore!
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Posted April 10, 2019 by greatmartin in ENTERTAINMENT, THEATRE REVIEW

“Dear Evan Hansen”–Nation Tour Review   Leave a comment

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You hear a lot about the 1% wealthy and the 99% rest regarding money but the same figures could be applied to anyone who has ever gone to high school with the figures being 1% who were happy and 99% rest of us.  In “Dear Evan Hansen” we deal with 5 teenagers in the latter category.
Evan Hansen’s father left 10 years ago and his mother Heidi is going to night school to become a paralegal and works during the day as a nurse’s aide leaving little time for her son. Evan sees a therapist regarding his social anxiety who assigns him to write letters to himself and this leads to the story.
Ben Levi Ross is phenomenal as Evan Hansen with a voice that filled the Broward auditorium and hanging on to every word when he went soft. As his mother, Jane Pfitsch, moving throughout, really got the tears flowing with “So Big/So Small”. Along the way we meet and get to know 4 other teenagers from Connor, played by Marrick Smith, who is an addict and bother of Zoe, (Maggie McKenna), along with Alana, (Phoebe Koyabe) and Jared (Jared Goldsmith), who offer some comic relief but are just like Evan, wanting to be heard and seen through any means. The other two members of the cast are Aaron Lazar and Christiane Noll as the parents of Connor and Zoe.
All 8 actors have perfect voices, move fluidly around the stage and are so subtle in their actions you forget they are actors! As heralded as the original New York production was/is I would match this cast against them and it would probably become a tie.
The book was written by Steven Levenson and music and lyrics by Benj Pasek and Justin Paul, which will bring you to tears, provide a few laughs and, maybe, realize how hard this world is for a teenager. Pasek and Paul also wrote the music and lyrics for “The Greatest Showman” and listening to the “Dear Evan Hansen” broadcast album, which won a Grammy, is as moving as the stage production. You will be humming many of the songs after hearing them either on the stage or the album.
Talking about the stage production between the Scenic Designer, David Korins, and the projection designs by Peter Negrini portray the world of technology that we, and especially teenagers, are caught up in today. Pardon the pun but the  Lighting design by Japhy Weideman is spot on and impressive.
This is definitely a show for all teenagers to help them realize that they are not alone, not invisible and for all adults who may have forgotten the pain of being a teenager.
“Dear Evan Hansen” is playing at the Broward Center for the Performing Arts until April 7. With a 20 minute intermission, the show is 2 hours and 45 minutes.
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Posted March 28, 2019 by greatmartin in THEATRE, THEATRE REVIEW, Uncategorized

“Waitress”–review of touring company   1 comment

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With music and lyrics by Sara Bareilles along with a book by Jessie Nelson based on the movie by Adrienne Shelly “Waitress” will be celebrating the start of its 4th year on Broadway this April.

A story about an abused waitress who finds herself pregnant doesn’t immediately shout ‘musical comedy’ but there is plenty of comedy, along with drama, in this show. Jenna ( Christine Dwyer) finds an outlet in her job at Joe’s Diner with friends Becky (Natasha Williams) and Dawn (Ephie Aardema) where she works as a waitress and a baker, in the latter job making 27 delicious pies with wicked names. As an escape from her abusive husband Earl (Matt DeAngelis) she hopes to win $20,000 in a pie contest in a nearby county.

Her OB-GYN Jim Pomater (Steven Good) is new in town and his wife is doing an internship at the local hospital. He and Jenna, though basically decent people, give in to their feelings and he betrays his wife.

We, also, meet the diner’s owner played by Richard Kline and cook played by Ryan G. Dunkin. Dawn meets Ogie (Jeremy Morse) via the Internet and they play off each other so perfectly you know there is going to be a ‘happily ever after’ for them.  By the way (Morse) singing and dancing “Never Getting Rid Of Me” is a show-stopping number the audience loves. Rheaume Crenshaw as Nurse Norma adds to the professional cast along with the ensemble and we certainly can’t forget Hailey Belle Malvin who is making her musical Broadway debut, having been discovered in Miami!

Director Diane Paulus and choreographer Lorin Latarro worked very closely together giving the cast intricate scenes that depend on split timing while scenic designer Scott Pask keeps the sets moving as the songs, dance and story goes from the diner to Jenna’s home, the doctor’s office and the hospital. Conducter Lilli Wosk, with the musicians on stage are as much a part of the ensemble as anyone on stage.

The music and lyrics by Sara Bareilles are tuneful, meaningful when need be and funny, moving the show along, telling about the characters and adding to the thin story.

The #metoo moment in the show gets an impressive reaction, deservingly, from the audience as do the performers when they take their bows.

“Waitress” is a warm, funny and moving musical that tackles a lot of problems still be faced today.

“Waitressruns 2 hours and 35 minutes with a 20-minute intermission


“Les Miserables”–touring review   4 comments

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“Les Miserables” opened on Broadway in 1987 winning 8 Tonys including best musical and score. It has had 2 successful revivals in New York and has been touring all over the USA for years while, opening in London in 1985, it has become the second longest running musical in the world.

The touring company opened at the Arsht Center in Miami last night and showed why this sung through musical soars with the right cast and they were on stage singing the emotional and beautiful score with such songs as “I Dreamed a Dream”, “Who Am I” and “A Heart Full of Love”.

“Les Miserables” is the story of Jean Valjean (Nick Cartell) who we meet being released from prison after 19 years having been arrested for stealing a loaf of bread for his sister’s starving daughter and then 14 more years for trying to escape. He has been paroled under the watchful eye of Inspector Javert (Josh Davis) who he eventually eludes and we follow the paths of these two men and the people who they meet and become involved with.

When Fantine (Mary Kate Moore) sings the previously mentioned “I Dreamed A Dream” you won’t hear a sound in the theatre while you will hear sobs here and there as (Cartell) touches hearts with “Bring Him Home”.  “Soliloquy: Javert’s Suicide” and “Stars” are sung with such power and feeling by (Davis) you see a completely different man on stage in each song. “Master of the House” a duet by Thenardier (J. Anthony Crane) and his wife (Allison Guinn) are way over the top very funny performers while Marius’s (Joshua Grosso) rendition of “Empty Chairs At Empty Tables” is definitely a tear jerker!

Both the young Cosette (Vivi Howard) and the Older Cosette (Jillian Butler) shine in their own songs while Eponine (Paige Smallwood) not only soars and stops the show singing   “On My Owns” but adds her voice to 7 other songs whether duets, trios or group numbers. In addition, Matt Shingledecker as Enjolras, a student leader of the revolution, leads the ensemble in a rousing “The People’s Song”.

The songs mentioned, and the rest of the score, by Claude-Michel Schonberg and Herbert Kretzmer need and get the singers and cast their music needs and deserves.

There are a few scenery aspects in the touring show that are different from the original Broadway production but they take nothing away from the show. The costumes, makeup, lighting and sound all add to the 1815-1832 France we see on stage. The show is directed by Laurence Connor & James Powell and the orchestra is conducted by Brian Eads.

As you walk up the aisle of the theatre don’t be surprised to hear yourself humming, or even singing out loud, the anthem of the show, “Do You Hear The People Sing”.


Posted February 6, 2019 by greatmartin in ENTERTAINMENT, THEATRE REVIEW

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